SINISA TAMAMOVIC / TOM HADES / DANDI & UGO - REBORN EP
Night Light Records

The new Night Light Records release delivers two original tracks by Sinisa Tamamovic and remixes from Tom Hades and Dandi & Ugo.

Check this dance-floor killer release exclusive on Beatport:

https://www.beatport.com/e..n-US/html/content/release/..detail/260669/Reborn%20EP

Supported by:
Anderson Noise, Wehbba, Max Cooper, Dr Hoffman (Blind Spot Show), Paul Hazendonk, Rolland M Dill, Joy Kitikonti, Klaudia Gawlas, Ivan Komlinovic, Ruslan Mays...

Don't miss out tonight Darkroom Dubs Radio.
As usual, they are featuring exclusive sessions with
all the latest hot talent from their Darkroom Dubs label.
This Wednesday Dj Set by SLAM at 20:00 (+2 GMT)

www.myspace.com/4siliconesoul
www.facebook.com/4siliconesoul
www.myspace.com/darkroomdubs
www.facebook.com/darkroomdubs

The legendary UK techno duo of Stuart McMillan and Orde Meikle have travelled far and wide, touring Australia, the USA , Europe, South America and Japan and they hold residencies at 2 of the UK's best clubs (Pressure in their home town of Glasgow and Fabric in the nation’s Capital, London). 2008/2009 has been one of their busiest periods ever. Performing dynamic sets at many of the world’s leading festivals including Monegros, Oxygen, Bestival, 10 days off, Extrema, Glastonbury and T In The Park, they have also played at some of the world’s best clubs including the legendary Womb In Tokyo, Cocoon in Frankfurt, Rex in Paris and Berlin's infamous Watergate and Berghain to name a few.

PARAGRAPH:
Their new label Paragraph sees the pair focus on their own productions entirely. The first release “City Destroyer”, with its sinister pitched vocals and crafty, crisp and skippy electronic soundscapes, secured club plays from the likes of Richie Hawtin, Adam Beyer and Laurent Garnier. Paragraph 2, “Hot Knives”, was even bigger staying in the Beatport top 10 for 10 weeks with plays from just about every big name including Carl Craig, Anja Schneider, Dave Clarke and Dubfire. There will be an album with an exCiting new concept based around Paragraph later in the year.

SOMA RECORDS:
SLAM are also the proud co-owners of Soma Records, which, in its 18th year, continues to be one of the world’s finest purveyors of cutting edge electronic music, with recent releases and remixes from Silicone Soul, the Black Dog, Mihalis Safras, Mark Broom, Joris Voorn, Prompt, Samuel L Session, Christian Prommer, Radio Slave, Paul Ritch, D'Julz, Adam Beyer, Steve Rachmad, Itamar Sagi and Funk D Void.

Don't miss tonight Yannis K with his monthly show at 21:00 (+2 GMT). His guest for tonight is Dennis Bunas (GR).

Dennis Bunas Myspace page

First contact with electronic music happened at the age of 15. After a lot of experiments with various types of electronic music, the Techno sound was the style that won him over. By playing as a Dj in small Clubs, he created a 10-year career for himself in the Greek Club Land. In 2002 the team Firefinger -with Panagiotis Drakos-was created, presenting a great number of succesful Techno events, both in Athens and in provincial towns. The acquaintance with the already known Techno Dj's and Producers, Spiros Kaloumenos and Axel Karakasis, has led to the participation of the latter in their events in big Clubs of Athens,so far.

In December 2007, Dennis Bunas made his debute release in "Omega Audio Recordings" with the track "vital". But his love for Techno music couldn't stop. He couldn't just remain a Dj & Producer, so the collaboration with Spiros Kaloumenos & Takkiz Drakos led to the creation of their own techno label -----Analog Mode Records----- Analog Mode records is a concept thought by these 3 Greek techno DJ's & Producers, and it's going to become one of the biggest labels in the techno scene. Expect only the best from this label...


http://www.myspace.com/analogmoderecordings

Title track ‘Sleep Horn’, despite its unnervingly cavernous, pitched and
effected horn lead couldn’t have a more confusing name as there
is absolutely no chance of sleeping through this beast. Probably the
most relentless and uncompromising track from DC so far this year,
it’s a shining example of the hard stuff we all need in our lives.
Beyer goes solo for the two remaining tracks, ‘Filthy Lobster’ and
digital-only track ‘Grass Carpet’, and as usual from the consummate
professional the quality doesn’t drop.
‘Filthy Lobster’ manages to display shuffling funk and eager pushiness
at the same time which gives it a swaggering groove-bed for
some of Beyer’s increasingly freaked-out effects. These little factors all
add up to make a tight slice of machine funk that could only be Beyer.
The stuttering, tom driven vibes of ‘Grass Carpet’ rounds off the EP
and does so brilliantly. Deeper, sleeker yet no less powerful than i
t’s wax-bound companions, it’s an intoxicating rhythm track with the
subtle touch that Beyer manages to imbibe into all of his material, brutal
or not. All in all, this another fine release for Drumcode in a year when
the label seems as fresh as ever.
Adam Beyer & Alexi Delano - "Sleep Horn" is available on Beatport!


Also check out below, his interview for Beats and Beyond:
He’s one of the most prominent names in the field of no-nonsense techno: Adam Beyer. The Swedish DJ/producer and owner
of the lauded Drumcode label has been pursuing the delicate sound of techno since the early 90s, after which he rapidly
established himself as one of the globe’s most popular artists in the field of fierce, thunderous but always organic techno music.

Adam first surfaced in the early 90s after being influenced to start DJing by local radio channels through which he had his first
encounter with electronic music. Not long after, Adam Beyer met Joel Mull and the two soon started producing their own
tracks. After releasing his Decoded album, Adam launched his Drumcode label in 1996 and soon found himself gigging at festivals
across Europe. As he grew bored with the homogenous sound of techno, the early 00s saw Adam experimenting with a more
minimal sound, a genre that would later be labeled as ‘minimal’ and would soon make him one of the key players in this movement.

Nowadays, Adam Beyer continues to push the envelope as an artist whose aim it is to reach out and go beyond where others simply
tend to rest on their laurels after a hit record or two. Sure, he’s made it to the big league with classic tunes such as Rippin’ and Dippin’
(under his Mr. Sliff guise), as one half of the Collabs100 outfit (with Speedy J), and as manager of the extremely popular Drumcode
imprint but that doesn’t stop him from avidly exploring the many facets in electronic music.

As for Drumcode, things may have been on the down low for the past few years, but the label is back on its feet again and it’s
stronger than ever. With a truckload of hot music in the pipeline –including sterling collabs with Alexi Delano to be released in August-
things are looking bright for those who prefer their techno intelligent and organic.
We went or a chat with Adam Beyer about his current projects, music production magic, Drumcode, and much more…

1. Hi Adam, thanks for taking the time to speak with us. How are you doing?
Amazing thank you. Just moved to a new house with my girlfriend, we got stables and nature all around us, never thought it would
have such a great impact on me.

2. What have you been up to the past couple of month? Any cool on-the-road stories you’d like to share?
Loads of gigs per usual, moving house, building new studio and doing some essential changes to my life.

3. After a period of relative silence, your Drumcode label now seems to be fully back on its feet again with releases by Slam and
Alan. D. Fitzpatrick amongst others. What made you increasing its release frequency?  Would you say its vision has been redefined?     
Yes, it must have been somewhere around 2005-2006 when I slowed the label down for a bit due to all the similar music flooding
the market,.I also took more interest in the emerging minimal scene which felt really fresh at the time. But after a while I was
missing the slightly edgier stuff in techno and I felt that Drumcode still had an important role to play in the market, since all of the
original artists where more spread out both musicaly and geographically. I decided to open up the label to anyone and go for it,
see how far I could take it and push it to the limit.

4. Drumcode seems to return to that rolling, looped techno sound that used to mark its discography. How would you describe
the evolution Drumcode’s gone through over the course of its existence?
I think Drumcode always had quite a clear and focused vision, to release unpretensious quality techno aimed at the dancefloor.
If u would compare the old releases from the mid 90´s to todays stuff u would still recognise the energy and ideas, obviously it
was dirtier back then, today everything is more precise and detailed.


I see Drumcode as the people´s label, always hugely popular by fans and DJs, never looking for credibility or unnecessary press.
Drumcode has its own course, trends come and go, we might flirt with them but we don´t sell ourselves to them. We are not
sentimental, we believe in progress, yet still, u always know what to expect.

5. Next to Drumcode, you also own and manage the Mad Eye and Truesoul labels. What can we expect from these labels in the
future?
For Truesoul we have an amazing Joel Mull album in the pipeline and next up on Mad eye is a record from me and Alexi Delano
collabing for the first time.

6. Can you reveal a bit of what you’re working right now in terms of productions, projects and remixes?
I have 2 records coming up this month, one on Mad Eye and one on Drumcode. Both are collaborations with my old friend
Alexi Delano. Apart from that I am mostly focusing on my new radio program that will be broadcasted around the world at
various stations from August onwards. I´ve always liked radio as a medium and it´s super exiting to have my own show!

7. We’re in the middle of the festival season and your traveling schedule must be extremely hectic. What keeps you going?
U need to find your own balance with food, partying, training etc. If u manage to do that it actually doesn´t feel that hectic..
I take day by day as they come. If i would sit and worry about having 14 gigs in a month it would ruin my mood, so it´s better
to just do what u need to do that day.

8. Are there any gigs you’re especially looking forward to in coming months?
Cocoon at Amnesia Ibiza, Global Gathering, T In The Park, Monegros, Vollt, Cavo Paradiso, Drumcode @ Space Ibiza, SW4, etc etc.

9. Can you reveal a tip of how you work in the studio? Do you start completely blank or do you work from a certain point of view?
Usually I start of completely blank, a Kick drum, a bunch of sounds or synth lines. Playing around with stuff until I find something
I like and keep building from there.

10. Speaking of music production, What is your favorite piece of gear and why should it be in everyone’s studio?
Maschine by Native instruments really impressed me, other than that u just need a computer and your own imagination.

11.  How do you see yourself in twenty years from now?
Deaf and very satisfied with a great life and career, hopefully still working in the industry.

12. Is there anything else you would like to share with your audience that we haven’t covered yet? Anything goes!
Look out for Drumcode radio on a FM radio near you.