Monday night at 22:00 (+2 GMT) is the bimonthly MULTIPLEX radio show. MULTIPLEX was born as an independent space of music journalism, and involves Ximo Noguera and Diego Manzaneque. Tonight they have the opportunity to present a multifaceted artist followed by their host, G02. Ivar Dreieck, known as Julio Almenar, is a Spanish DJ and producer who reside in the city of Berlin, where he works as the label manager of LGM booking.
He started to get interested about music since very young. He bought his first turntable with a group of friends and then started to organize parties. Some work with him in his records shop. During this period he decides he wants to learn more about music and decides to study sound technique. After this experience he wished to expand his interests and specialises in acoustic.
He’s musical work started with imme, a duo formed by Xavi Planells and him. They worked as residents for a period of one year at Valencia, and on 2009, under the pseudonym of Meine, and with J.M Aboga he creates “Rescue” for the label Galvanic. Right now he keeps on working on productions that will soon come out.
J.M. Aboga& Meine-Rescue (2009)Galvanic
Ivar Dreieck - Quimper (2012)LCR records Links:
Ivar Dreiek on Facebook
G02 on Facebook
Last Friday of a short month and Life Recorder is back with another ‘Life Notes’ radio show tonight at 22:00 GR time, 21:00 FR time and 20:00 UK time. He’ll be featuring a guest mix by Ozka (Mowar, Re(Form), Other Eights / Belgium).
David Nizet has been around in the Belgian underground techno scene for ages, we mean early nineties. He was part of the 6th Sense collective during the mid 90s with releases on Dave Angels Rotation and the legendary Belgian label Re-load Records.
Despite a Detroitish nostalgic touch in his productions, small modern minimalist influences gently creep in to all his tracks to turn them into brilliant pieces of never outdated, or should we say evergreen, techno.
Since the past 3 years he earned more and more respect on the scene with strong releases/remixes on labels such as Mowar, Ann Aimee, Re(Form), Other Eights, Bastardo Electrico, or recently on Aubrey's new label Dot.
This is the first mix in Discogs' new monthly podcast series. They're excited to be kicking things off with one of their favorite artists, the ever-prolific Luke Vibert. This mix was recorded live on February 9th, 2013 at the Vinyl Pimp record shop in Hackney Wick (London, UK) to celebrate Chinese New Year.
With a catalog that runs deeper than Atlantis, you've undoubtedly heard Luke's music on such seminal labels as RePhleX, under the monikers of Kerrier Disctrict and Amen Andrews; on Rising High Records, as Wagon Christ and Plug; and of course, as Luke Vibert, on Warp Records, Planet Mu, and numerous other labels that have been pushing the boundaries of machines and music for decades.
Tonight at 22:00 (GMT +2) is Speedy J's Electric Deluxe Podcast featuring a a wide variety of guests from the contemporary techno and electronic music scene and friends of the label. Electric Deluxe Podcast 088 presents Frank Haag, who is known as one of the forward thinking underground techno producers in Amsterdam that challenges electronic music with a deeper sense of understanding.
His "Tales of the Burning Range Rovers" EP on Cesare VS Disorders Berlin based Serialism Records was charted by Troy Pierce, Quenum, Arnaud Le Texier, Sierra Sam, among others. Furthermore, it featured in Marco Carola's Resident Advisor Podcast. In 2012 his bootleg of Depeche Mode is played by artists like Tale of Us, Jamie Jones, Laura Jones, Ryan Crosson, Matt Tolfrey, Chloe, Magda, Troy Pierce, Clement Meyer, Jeremy P Caulfield and Patrick Bateman.
Thanks to this remix and his new release on Paris' Get The Curse Music, 2012 is the year that Frank get's his fundamental international recognition. Frank rocked at clubs like Arma17 (Moscow), Watergate Club (Berlin) and Rex Club (Paris)and played in cities like Glasgow and Novi Sad, and he continues to increasingly travel the globe to bring his music.
Frank Haag's sound has an always substant and profound approach. His music has a certain sense of value, often combining the organic with the sonical abstract. Having studied Sonology at the Royal Conservatory in The Hague for several years, he has been and still is experimenting with analog and digital studio techniques by making mutiple channels compositions. As Frank Hagemans, his real name, focus lies on concrete music, also seen as sound art.
Haag's history takes us back to the south of Holland where he grew up with his two elder brothers and sister. Coming from a family that is very involved in classical and jazz music, harmony and funk is automatically embedded in his roots. Through his older siblings Motown and over-produced `80 bands like Toto became his favourite listenings. Michael Jackson impressions were a daily routine. As a bass player, he played various gigs around the south of holland in the midst of the 90's grunge movement. When not rehearsing with a band, Frank's musical curiosity continued. Probably as a result of being used to hearing so much acoustic and "humanly" composed music, he became more and more consumed by the machine made and electronic sounds of house, techno and IDM.
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